Modern Architecture: A Critical History.
This acclaimed survey of 20th-century architecture and its origins has become a classic since it first appeared in 1980. Now revised, enlarged and expanded, Kenneth Frampton brings the story up to date and adds an entirely new concluding chapter that focuses on four countries where individual talent and enlightened patronage have combined to produce a comprehensive and con This acclaimed survey of 20th-century architecture and its origins has become a classic since it first appeared in 1980. Now revised, enlarged and expanded, Kenneth Frampton brings the story up to date and adds an entirely new concluding chapter that focuses on four countries where individual talent and enlightened patronage have combined to produce a comprehensive and convincing architectural culture: Finland, France, Spain and Japan. The bibliography has also been reviewed and extended, making this volume more indispensable than ever.
Did Frampton disrespect Frank Lloyd Wright? Was Bauhaus a style or band? Could Zunkunftskathedrale have something to do with a cathedral and zoo?
Absolute requirement--- touch, read and tote---for those students pursuing knowledge, beauty coupled with criticism! All elevated or lowly undertakings some would argue start with curiosity, the questions presents itself like a hungry belly grumbling with a question of why, how or more appropriately “how idiotic, why?” Three chapters into “Modern Archit Did Frampton disrespect Frank Lloyd Wright? Was Bauhaus a style or band? Could Zunkunftskathedrale have something to do with a cathedral and zoo?
Absolute requirement--- touch, read and tote---for those students pursuing knowledge, beauty coupled with criticism! All elevated or lowly undertakings some would argue start with curiosity, the questions presents itself like a hungry belly grumbling with a question of why, how or more appropriately “how idiotic, why?” Three chapters into “Modern Architecture,” you encounter an author who does not give much concern for Frank Lloyd Wright— and he is presented in brief.
Thus if pages where love then its denied to Frank Lloyd Wright and maybe it is given to another in chapter thirteen. This chapter is long, tedious and a most seductive rant on The Glass Chain: European Architectural Expressionism 1910-25.Some phrases that linger are---inscribed on the glass dome by Scheerbart--- “Light wants crystal, glass brings a new era and building in brick only does us harm” is literary silver on the page (Frampton 116) and inspirational to the reader. This chapter delineates the reverence for the delta from darkness to light in Modern Architecture. Chapters are rampant and this text is the equivalent of the student bible in Art, Design and Architecture though birthed in 1980 it still has sway, gives lengthy consideration to globalization and remains a testament to Modern Architecture.
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